戏剧作为人的存在方式  

On Theatre as a Way to Human's Being

作　　者：库慧君[1] 

机构地区：[1]长江大学艺术学院,湖北荆州434023

出　　处：《集美大学学报（哲学社会科学版）》2012年第2期44-50,共7页Journal of Jimei University：Philosophy and Social Sciences

基　　金：国家社科基金艺术学项目(08AB02)

摘　　要：艺术是人的存在方式,游戏乃是艺术的存在方式。只有当艺术创作者和鉴赏者在游戏过程中放弃日常经验,转而只关注游戏本身时,艺术才能成其为自身,人的生命也才会在艺术创作和艺术鉴赏的过程中得以展开。戏剧要成其为自身,它不但必须要被演员所搬演,而且还要为观众所欣赏。"表演"是演员进行艺术创作的方式,它使演员作为演员而在场,观剧者要通过"表演"而成为"观众"。这种表演是内在于他自身的,表演性是人的基本特性之一。Art is a way of human＇s being.Play is the way that the art would be.Only when the composers and the audiences give up their daily experiences,and put their attention to the play itself,art will be itself,and human＇s life would be open up in that situation.Drama is made of two important elements,which are actors and audiences.Actors and their normal situation are distinguished by acting,which can let the actors be present as ＂actors＂.Also,audiences could be themselves by performance.The performance is inside.＂Performativity＂ must be one of the human＇s basic characters.

关 键 词：存在方式 游戏 表演性 

分 类 号：J80-02[艺术—戏剧戏曲]