检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:尚婷[1]
出 处:《集美大学学报(哲学社会科学版)》2012年第2期116-120,共5页Journal of Jimei University:Philosophy and Social Sciences
基 金:国家社会科学基金项目(11CWW004)
摘 要:从诞生至今,语言诗始终以一个极具争议的话题而存在。它通过对既定语言秩序的疯狂破毁制造了语词破碎、语意断裂、文体杂错的混乱局面,容易给人"重破不重立"的负面印象。但事实上,作为植根于后现代主义语境中的先锋诗派,语言诗的"恐怖行径"往往在解构主义诗学的观照下方可获得合理解释并显现出独特的价值和意义。它所发动的语言哗变并不是纯然的文字游戏,其真实意图是要打破日益严格僵化的语言系统,重新激活能指与所指的任意性以及能动性,使文本在无限的符号链条上自由滑动,在互文性网络中为读者提供更为丰富、更为自由的意义建构空间。The language poetry exists as a controversial topic since its appearance.It destroys the language rules and brings the poems into chaos in which the word crushes,the meaning breaks and the style garbles,and thus leaves people an impression of "breaking,but not creating".However,as an avant-garde poetics under the circumstance of postmodernism,its "horrific actions" could only be explained and presents its value from the aspect of the deconstructive poetics.This "language mutiny" is not purely a play on words;its true intention is to break the increasingly strict and rigid language system and to reactivate the arbitrariness and the initiative of the signifier and the signified so that the text could slide freely on the infinite symbolic chain and the readers can construct meanings more freely in the intertexuality web.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.222