从满城汉墓的随葬器物看西汉艺术精神  

Researche on Spirit of The Western Han Dynasty Art from Funerary Artifacts in Mancheng Han Tomb

作　　者：陈莉[1] 贡巧丽[2] 

机构地区：[1]中央民族大学文学与新闻传播学院,北京100081 [2]河北科技大学文法学院,河北石家庄050018

出　　处：《青海师范大学学报（哲学社会科学版）》2012年第1期88-92,共5页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：陕西省教育厅科学研究计划项目(08JK182);中国博士后基金项目(2011M500350)

摘　　要：河北满城汉墓出土的随葬器物造型精巧,纹饰细腻,色彩华美。这些随葬器物,不仅折射着西汉贵族阶层的生活方式和审美情趣,而且也丰富了人们对于西汉艺术精神的认识。从满城汉墓随葬器物可以看出,西汉艺术精神包含两个层面,其一是对雄浑、古拙之美的追求,其二是对精巧、奢华之美的追求。前者以西汉征战南北、开疆拓土的气势一脉相承,后者与西汉贵族阶层追求享乐和羽化升天的生活境界有关。There are lots of funerary artifacts unearthed from Mancheng Han Tomb inHebei Province. The paper points out that the delicate, exquisite and colorful decoration are main characteristics of the Western Han Dynasty burial objects, which reflect the living conditions, aesthetic taste, luxury and exqui- site artistic spirit of the Western Han Dynasty princes and nobles. Throughout the Western Han Dynasty tombs of kings＇ aristocratic aesthetic culture, it can be found in the paper that the Western Han Dynasty art spirit contains two levels： the first one is the forceful stone, unadorned beauty represented by Mao tomb of Han Wudi~ the second one is compact and luxUry beauty, which is common in the Western Han Tombs.

关 键 词：满城汉墓 随葬器物 审美特征 艺术精神 

分 类 号：J120.9[艺术—艺术理论]