女性视角叙事的内在冲突与多重困境——当代家庭伦理电视剧中的女性叙事探析  

The Inner Conflicts and Straits in Women Narrative Perspective ——On the Female Narration in the Contenvporary Dramas of Madern Family Ethics

作　　者：高晓军[1] 熊文泉[2] 

机构地区：[1]南昌大学科技学院,江西南昌330029 [2]江西电视台,江西南昌330029

出　　处：《江西教育学院学报》2012年第1期141-144,共4页Journal of Jiangxi Institute of Education

摘　　要：叙事视角是叙述者采取的态度、立场、角度和倾向性,直接关系到叙事本文的情节结构乃至主题阐释策略。当代家庭伦理电视剧是一种以女性观众为收视主体的日常生活叙事艺术,从女性视角出发建构当代女性形象自然而然就成为最主要的诉求。然而,传统的男性中心意识早已积淀成一种深厚的集体无意识,参与着一切文本的建构,为女性叙事构筑了一道道厚重的历史藩篱与话语困境。所以,寻求与男性视角叙事进行平等对话的机制,创造出更契合时代、更富含人文精神的新女性形象,是当代家庭伦理电视剧创作亟待解决的美学课题。The narrative perspective is the attitude,position,angle and inclination adopted by the narrator.It is directly related to the plot structure of narrative text and even the theme of interpretation strategy.The contemporary drama of family ethics is a kind of daily life narrative art.And female audience is the main reception of this drama.Thus the contemporary image of the women from the female perspective must become the main demands of this type of drama naturally.However,the traditional male-centered consciousness has accumulated into a deep collective unconscious.And it has been participating in the construction of all the text.This has been building a heavy road of historical barriers and discourse predicament for female narrative.Therefore,the search mechanism for dialogue on an equal footing with the male perspective narrative,the new image of women which corresponds to times and the mage of women that is rich in humanistic spirit is the solved aesthetic issues of the creation of contemporary family ethics drama.

关 键 词：家庭伦理电视剧 叙事视角 女性视角 男性视角 

分 类 号：J905[艺术—电影电视艺术]