《等待戈多》:一种后理论状况的隐喻  

Waiting for Godot:Metaphor of a “Post-theory” Condition

作　　者：苏擘[1,2] 闫红梅[2] 

机构地区：[1]上海外国语大学,上海200081 [2]河北大学外国语学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2012年第2期51-54,共4页Journal of Hebei University(Philosophy and Social Science)

基　　金：上海外国语大学第六届研究生科研基金项目<〈等待多戈〉:一种后理论状况的隐喻>(2011124028)

摘　　要：萨缪尔·贝克特本是一位难以定位的作家,但是对其代表作《等待戈多》的评论,却出现惊人的一致性,尤其以"荒诞派戏剧"为甚,大有出于斯而又归于斯的阐释循环之势。这与作者初衷以及作品本来面貌相悖。若借用尼采以降,尤其是德里达的解构主义及其后的批评理论视之,此剧无论从作者本人创作意图,还是作品情节、语言和人物方面,呈现出的是深刻的概念危机,是"重估一切价值"后的残垣断壁,是摆脱传统、逻各斯、理性、规范、逻辑、文明等一切宏大叙述后的自由之境,所以可被视为概念层面上的"后理论状况"的隐喻。Samuel Beckett is an indefinable author,but his master piece,Waiting for Godot,receives surprisingly unanimous interpretations,especially with the notion of ＂The Theatre of the Absurd,＂ which always serves as the starting point as well as the goal of argument.This phenomenon runs quite counter to the intention of Beckett himself and the original features of the play.In terms of the author’s intention and the play’s plot,language and characters,the play actually presents a drastic ＂conceptual crisis＂ with the broken fragments after ＂estimating the whole values again＂ and the map of breaking away from such ＂Grand Narratives＂ as traditions,logos,reason,rules,logic,civilization,etc.It is a metaphor of a ＂Post-theory＂ condition on the dimension of conceptions.

关 键 词：荒诞派戏剧 萨缪尔·贝克特 《等待戈多》 后理论 概念危机 

分 类 号：I106.35[文学—世界文学]