论康德审美第三契机理论中的形式美  

On Formal Beauty in Kant's the Third Moment of Aesthetics

作　　者：房运梅[1] 董希文[1] 

机构地区：[1]鲁东大学文学院,山东烟台264025

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2012年第2期91-94,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：2010年山东省艺术科学重点课题<20世纪西方文学文本理论形态研究>(项目批号201003009)

摘　　要：康德审美判断第三契机中把"美是无目的合目的性形式"作为形式美的核心观点,从而把审美形式与以质料为目的的快适和以概念为目的的完善性区别开来。最后将无目的合目的性形式美与人紧密相连。康德的形式美论与传统形式美不同,对形式与内容、物与人等关系作了比较辩证的阐明,给美学注入了一种人性美的色彩。Kant considers ＂beauty is purposeless accordance with the form of finality＂,in the third moment of aesthetics as the core content of formalistic aesthetics.And he distinguishes aesthetic form from the material for the purpose of pleasant and the concept for the purpose of perfection.Finally,the taste of the aesthetics and humans are closely linked.Kant＇s formalistic aesthetics differs from traditional formalistic aesthetics,the more dialectical relation between form and content as well as object and humans to make the exposition,and give the color of a kind of humanity to aesthetics.

关 键 词：康德美学 第三契机 形式美 

分 类 号：B516.31[哲学宗教—外国哲学] B83