白居易《琵琶行》的多重文化意蕴  

The Diversity of Cultural Implicature of Song of Pipa by Bai Juyi

作　　者：刘雅杰[1] 

机构地区：[1]延边大学中文系,吉林延吉133000

出　　处：《东北师大学报（哲学社会科学版）》2000年第2期99-102,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)

摘　　要：《琵琶行》具有多重文化意蕴 ,必须从多个角度切入进行解读。琵琶作为一种乐器 ,它的情感负载的内容基本是固定的 ,主要用于抒发幽怨哀伤的情感。琵琶生成期所形成的这种原始基因 ,在《琵琶行》中得到了充分的体现。同声相应、同气相求是一种传统的意念 ,它在《琵琶行》中转化为“同是天涯沦落人 ,相逢何必曾相识”的主题。文学史上的悲秋的原型 ,也融入了《琵琶行》中 ,作者从色彩、声响、物象等方面渲染了秋夜的清冷 ,营造出凄凉的氛围。但是 ,融入《琵琶行》的各种原型并不是平列的 ,而是有主次之分。Since Song of Pipa has many layers of cultural meanings, it invites studies from different perspectives. As a musical instrument, what kind of feelings it should express is largely fixed, it is mainly used to express leisurely sadness and resentment. Song of Pipa is just an illustration of this. The idea that like attracts like is turned into such a theme: outcasts do not have to know each other when they make friends. The archetype of autumnal melancholy is also infused into this poem. Bai Juyi employs color, sound and images to set off the coldness and desolation on the autumnal night. However, archetypes in Song of Pipa are not equally important. They fall into important ones and less important ones.

关 键 词：文学评论 白居易 诗歌 <<琵琶行>> 文化意蕴 

分 类 号：I207.22[文学—中国文学]