意象、意象思维与《二十四诗品》  

Image,Imagery Thinking and the Twenty-four Poetry Style

作　　者：金路杰[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《湖州师范学院学报》2012年第3期25-28,47,共5页Journal of Huzhou University

摘　　要：意象思维是中国古代特有一种思维方式,无论是诗歌创作还是诗学评论,即通过意象来表达作者的情思。唐代司空图的《二十四诗品》无疑就是其中的美学典范,文本中有着大量的精炼性词组构成的密集意象群,以此来体现古典文人的诗歌创作论和诗歌批评论。同时由于司空图的妙笔生花,《诗品》集诗学与诗歌一体的文本特殊性,又分析了《诗品》意象下所隐含的精神内涵。Imagery thinking is the unique ancient Chinese way of thinking, both in poetry writing and poetry review. The author uses images to express his mind. Sikong Tu＇s Twenty -Your Poetry Style in the Tang Dynasty is absolutely the aesthetic model in which there are intensive image groups constituted by the refining phrases in the text, in order to reflect the classical poetics. On the other hand, Sikong Tu is not only a theorist but also a poet; the book contains a profound meaning.

关 键 词：意象 意象思维 《二十四诗品》 诗学 

分 类 号：I202.227[文学—中国文学]