青木正儿论中华文人艺术生活的自然崇拜  

Aoki Masaru' s Studies on the Nature Worship of Art Life of Chinese Scholars

作　　者：李勇[1,2] 

机构地区：[1]北京师范大学文学院,北京100875 [2]咸阳师范学院文学与传播学院,陕西咸阳712000

出　　处：《渭南师范学院学报》2012年第5期89-93,共5页Journal of Weinan Normal University

基　　金：咸阳师范学院专项科研基金项目(06XSYK225)

摘　　要：在20世纪30年代,青木正儿就已经开始运用"文学思想史"的研究模式展开中国文学理论的研究。通过中华文人艺术生活的考证与复原,他试图折射出中国文学思想史的发展轨迹。在道家思想的影响下,"自然"成为中华文人艺术生活的最高理想。这种自然崇拜不仅在中华文人的艺术生活点滴中呈现,而且在中国文艺的美学追求中表现。Since the 1930s, Japanese sinologist Aoki Masaru had started to employ the academic mode of literary thought dur- ing his research on Chinese literary theory. Through the analysis on art life of Chinese scholars, he tried to exhibit the roadmap of Chinese literary thoughts. Influenced by Daoism, art life of Chinese scholars built its supreme ideal ＂Nature＂, which also became the main style of Chinese literature and art.

关 键 词：青木正儿 文学思想史 自然崇拜 文人生活 

分 类 号：I026[文学—文学理论]