论蕙风词的艺术风貌  

Comments on the Artistic Style of Huifeng Ci

作　　者：刘红麟[1] 

机构地区：[1]湖南理工学院中文学院,湖南岳阳414006

出　　处：《河池学院学报》2012年第1期54-60,共7页Journal of Hechi University

基　　金：2012年度教育部人文社科研究规划基金项目;2010年度湖南省哲学社会科学成果评审委员会项目(1011146B);2009年度湖南省哲学社会科学基金项目(09YBB183);2009年度湖南省教育厅优秀青年项目(09B044)

摘　　要：况周颐是晚清大词人中的多情种子,秉赋赤诚,嗜艳成癖。身在易代之际,屡遭家国倾圮和人生踬踣,家国身世之感遂与性情不期而合,其沉至之真情,深远之寄托,侧艳之笔力,遂成为蕙风词的艺术特质。大体来说,真字是词骨、即性灵即寄托、以侧艳写沉痛建构了蕙风词的独有风貌。Kuang Zhouyi was an affectionate poet in the late Qing Qynasty,who was sincere and bright-addicted.At a time of dynasty change,he experienced national doom and life bitterness so that the two combined with his temperament unexpectedly.Huifeng Ci is characteristic of true love,profound sustenance and bright-colored style.In general,truth is the essence of Huifeng Ci,in which natural disposition is blended with spiritual sustenance and his bitterness is expressed skillfully,thus forming the style of Huifeng Ci.

关 键 词：真字是词骨 即性灵即寄托 以侧艳写沉痛 

分 类 号：I207.23[文学—中国文学]