文革时期新疆兵团美术创作的类型和特征  

The Types and Characters of Art of XPCC in The Great Cultural Revolution Period

作　　者：周珩帮[1] 

机构地区：[1]伊犁师范学院艺术学院,新疆伊宁835000

出　　处：《石河子大学学报（哲学社会科学版）》2012年第2期26-32,共7页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：全国艺术规划西部项目"西北近现代美术史"(05IF154)

摘　　要：立足于"新疆"和"兵团"这一双重的集体身份,文革时期的新疆兵团美术,承接新中国成立初17年对自身创作资源、创作特色的初步探索,在文革政治导向下,对英雄人物的塑造、部队官兵的刻画、群众生活的描绘,进行了更为自觉的挖掘和表现,形成了特定的创作类型和样式,潜在地影响到文革后新疆兵团美术的发展。Based on the double identity of Xinjiang and Bingtuan,the fine arts of Bingtuan in the period of the Great Cultural Revolution carried on the preliminary exploration of its own creation resources and creation characteristics since 1949.Guided by the then political policies,more conscious efforts were made to mold heroes and depict the soldiers and the life of general masses.Particular patterns of creation and styles took place,which exerted potential influences on the development of fine arts in Xinjiang Bingtuan after the Great Cultural Revolution.

关 键 词：社会有机体 和谐社会 

分 类 号：J209.2[艺术—美术]