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作 者:李中华[1]
出 处:《湖南大学学报(社会科学版)》2012年第3期72-76,共5页Journal of Hunan University(Social Sciences)
摘 要:在学术史上,马歇尔.麦克卢汉以其独特的媒介理论而横空出世,卓然成一大家。实际上,他对于文学和艺术的论述,同样值得人们关注。总观他对于文艺的论述,大致包括三个方面的内涵:技术创造环境、文艺是对环境的感知以及旧环境成为艺术,可以说已形成了自己独特的可称之为环境主义的文艺思想。在20世纪六七十年代,麦克卢汉的环境主义文艺思想,呼应了当时环境美学或生态美学的诞生,在被称为技术时代的今天,有着十分重要的现实意义,值得引起我们的关注。From the viewpoint of academic history, Marshall McLuhan with his unique of the theory on media is coming up. As a matter of fact, his profound and brilliant exposition on Literature and art also should be viewed with some concern. All in all, his exposition on Literature and art generally including 3 aspects. (1) technology creates an environment. (2) Literature and art is a perception of environment. (3) the old environment is becoming a kind of art, we can say it has evolved a new unique thought of literature and art. In the sixties and seventies of t Marshall McLuhan, is plays a very important help the birth of E role in the age of t he twentieth century, the environmentalism thoughts of art of nvironmental Aesthetics or Ecological Aesthetics at that time. It echnology today. We will be given our exclusive attention on it.
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