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作 者:代云红[1]
出 处:《吉首大学学报(社会科学版)》2012年第1期75-78,共4页Journal of Jishou University(Social Sciences)
基 金:国家社会科学基金重大招标项目(10ZD100)
摘 要:从神话维度、剑桥神话仪式学派和弗莱神话原型理论的关联性、还有方法论方面去探究中国文学人类学的历史起点及其现代学术传统,是中国学术界在探讨中国文学人类学历史起点问题中的一种"共识"。这种"共识"既造成了对20世纪上半叶"中国文学人类学"多元性研究的遮蔽,也造成了介绍台湾"文学人类学"研究状况时的某种"偏狭性"认识。中国文学人类学历史起点问题的探讨内蕴着"文学人类学是什么"的问题,只有对"文学人类学"的内涵做出较充分地解释,才能最大限度地划定其对象、疆域及范围等,中国文学人类学历史起点的问题才能够在逻辑上自洽,理论上被言说,被讨论。这就须注意"中国文学人类学"历史生成的思想史语境。Chinese scholars have reached an agreement on the historical starting point of Chinese literary anthropology and its modern academic tradition,with literary myth,relevance between Cambridge myth ceremony school and Frye's archetypal theory,as well as methodology.It covered diversity research of Chinese literary anthropology in the 20th century,and also engendered some kind of one-track cognition in introducing the literary anthropology research in Taiwan region.It contained "What is literary anthropology" in the probing into the historical starting point of Chinese literary anthropology.Only if the connotation of the literary anthropology to be adequately interpreted,its object,territory and scope will be defined at the maximum degree.The historical starting point of Chinese literary anthropology can be logically autonomous,be discussed in theory and speech.We must pay attention to the historical context in which Chinese literary anthropology develops.
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