日本近世戏作小说的中国文学思想渊源  

Japanese Modern Drama for the Novels of Chinese Literature Ldeological Origins

作　　者：勾艳军[1] 

机构地区：[1]天津大学文法学院,天津300072

出　　处：《日本问题研究》2012年第2期55-60,共6页Japanese Research

基　　金：教育部人文社会科学研究2009年度青年基金项目(09YJC752020)

摘　　要：戏作是日本近世诞生的以滑稽戏谑或风流情趣为主要特征的通俗小说群。戏作在形成之初受到孔子"游于艺"思想、以及唐宋年间"戏作诗"的深刻启示,既是文人在本业以外的学问或艺术领域的精神寄托,也是其涉足通俗文学的遁词或曰免责之词。戏作借鉴了庄子"寓言"的表现方式,试图在虚诞外表下寄托深刻的讽刺内涵,不过,戏作的讽刺并不尖锐而且呈现出逐渐消退的趋势。戏作者通常都怀有既骄傲又自卑的复杂心态,这与李渔等中国戏曲小说家如出一辙,其根源都在于将小说戏曲视为难登大雅之堂之作的儒家文学观念的影响。Drama is a modem Japanese born to comical banter or romantic interest as the main feature of the popular novel. Drama,in the beginning of the formation of ＂by Confucius traveling in the arts＂, and ＂play during Tang Dynasty and Song Dynasty poem＂ deep inspiration, both writers in this outside knowledge or field of art spirit, but also its foray into popular literature subterfuge or exemption. Drama from Chuang-tzu ＂fable＂ the performance way, tried in the absurd appearance on profound satire meaning, however, play for a satire is not sharp but also presents a fading tendency. Play the author usually have both proud and inferiority complex mentality, which Li Yu and Chinese opera novelist run in the same groove, have their roots in the novel and drama regarded as landed in good taste for the Confucian literary ideas influence.

关 键 词：日本近世 戏作 游于艺 寓言 李渔 

分 类 号：I3[文学—其他各国文学] I7