论明代祖骚宗汉的辞赋复古思潮  

Retro Thoughts of Regarding Lisao and Hanfu as the Model of Fu in the Ming Dynasty

作　　者：郭丽平[1] 

机构地区：[1]泉州师范学院中文系,福建泉州362000

出　　处：《辽东学院学报（社会科学版）》2012年第3期38-43,共6页Journal of Liaodong University：Social Science Edition

基　　金：福建省教育厅A类社科研究项目(JA11235S)

摘　　要：从明初至明代中叶,以吴讷、徐师曾、李东阳和明代七子派为代表的复古派掀起了一场祖骚宗汉的辞赋复古思潮。复古派以古赋为艺术标准,确立屈骚、相如赋艺术典范的地位,强调学习古赋创作的文学修养和构思方式。复古派创作秉承屈骚汉赋的怨刺讽谏精神,追求雄奇壮伟的辞赋美学境界,力图恢复古赋雄健的文学风尚。明代祖骚宗汉的辞赋复古思潮一定程度上矫正了时代萎靡的文风,在辞赋发展史上具有积极的意义和重要的地位。From the early Ming Dynasty to the mid - Ming Dynasty, the restoration school, represented by Wu Ne, Xu Shiceng, Li Dongyang and the seven - poet group, set off a retro thoughts. They regarded Lisao and Hanfu as the model of Fu. Making ancient Fu as the artistic criteria, they established the model status art, and stressed that people should learn the literary accomplishments and conception style. In Fu writing, they inherited the iron- ical spirit of Hanfu and pursued the majestic realm of aesthetics, striving to restore the vigorous literary fashions of ancient Fu. To some extent, the thoughts corrected the sluggish style at that time, thus having positive significance in the development of Fu.

关 键 词：明代 复古派 辞赋思潮 祖骚宗汉 

分 类 号：I222.7[文学—中国文学]