从七夕诗歌考察中日审美意识差异——以《万叶集》中七夕和歌与唐诗中七夕诗歌为例  

On Divergence of Chinese and Japanese Aesthetic Consciousness——Taking the Poetry of Double Seventh Night from Poetry in Tang Dynasty and Tanabata in Manyoshu as Example

作　　者：张翠徐 放鸣[1] 

机构地区：[1]江苏师范大学,江苏徐州221116

出　　处：《阅江学刊》2012年第3期134-138,共5页Yuejiang Academic Journal

摘　　要：同处于东亚文化圈的中国和日本自古便有文化上的交流,主要扮演文化思想输出者角色的中国对主要扮演文化思想输入者角色的日本影响之深远不言而喻,但两大民族审美意识传统又都渊源有自,别具自我特质。从意象谱系的简素与繁复、情感表现的纯粹与功利等两大方面解读《万叶集》中七夕和歌与唐诗中七夕诗歌的艺术表现之不同,不仅有助于深化中日审美文化的比较研究,而且对中日审美意识形态差异的厘清也大有裨益。Both located in East Asia cultural circle, China and Japan exchanged in culture from ancient times. As a cultural output, Chinese culture imposed significant impacts on Japanese culture. To research the different artistic expression between the poetry of Double Seventh Night from poetry in Tang Dynasty and Tanabata in Manyoshu can deepen the comparative study of aesthetic consciousness between China and Japan, and also helps us understand the different ideology between them greatly.

关 键 词：《万叶集》 七夕诗歌 审美意识 审美文化 意象 情感 

分 类 号：I207.22[文学—中国文学]