中国艺术批评规律的新探索——凌继尧主编的《中国艺术批评史》解析  

A New Research on the Rules of China's Art Criticism——An analysis of History of China's Art Criticism edited by Ling Jiyao

作　　者：陈宗花[1] 

机构地区：[1]河南大学艺术学院,河南开封475001

出　　处：《贵州大学学报（艺术版）》2012年第2期30-32,56,共4页Journal of Guizhou University Art Edition

基　　金：教育部人文社会科学研究规划基金项目"唐宋转型和艺术批评思想的嬗变"[11YJC760029]的阶段性成果

摘　　要：凌继尧主编的《中国艺术批评史》是国内第一部真正意义上的综合全面的中国艺术批评通史,对中国艺术批评的发展流变及内在规律做出了重要的探索。全书对新的理论模式、理论范式进行了创造性的运用,这些尝试蕴含着著者构筑新的中国艺术批评史体系,对中国艺术批评做出全新阐释的宏伟理论设想。History of China ＇ s Art Criticism, edited by Ling Jiyao and recognized as the first real and comprehensive gen- eral history of China ＇ s artistic criticism, has made an important exploration on the development and internal rules of China＇s artistic criticism. The creative application of new theoretical mode and pattern in the book represents the edi- tor ＇ s grand theoretical assumption of the establishment of a new system of the history and a brand - new interpretation of China＇ s art criticism.

关 键 词：凌继尧 《中国艺术批评史》 中国艺术批评 艺术学 

分 类 号：J120.9[艺术—艺术理论]