建国前乌鲁木齐秦腔艺术的发展  

The Shaanxi-Styled Opera in Urumqi before 1949

作　　者：买玉华[1] 

机构地区：[1]新疆社会科学院历史研究所,新疆乌鲁木齐830011

出　　处：《新疆大学学报（哲学社会科学版）》2012年第2期68-73,共6页Journal of Xinjiang University(Philosophy and Social Sciences)

摘　　要：秦腔于19世纪由陕西传入新疆,并且十分盛行,当时在迪化的秦腔艺人成立了"新盛班"。民国六年(1917年),陕西、山西、甘肃三会馆联合将流入新疆的三地秦腔艺人组织成"三合班"。民国二十八年(1939年),"天山""元新"两班社合并,成立了新的秦腔戏班一"新中舞台"。抗战胜利后,迪化比较有名的秦腔的剧场有新中舞台、骑锋剧社、西北秦剧社等。作为秦腔艺术的补充,秦腔爱好者组织了"自乐班"。新疆的秦腔呈现了多种形式,不同规模的发展,成为新疆民间艺术的重要组成部分。The Shaanxi-styled opera came to Xinjiang in the 19th century and became flourished in no time. The artists then set up ＂Xinsheng Troupe＂ in Urumqi. In 1917, Shaanxi, Shanxi and Cansu guilds organized the artists in Xinjiang into ＂Sanhe Troupe＂. In 1939, the two troupes of ＂Tianshan＂ and ＂Yuanxin＂ merged into ＂Xinzhong＂. After 1945, the relative famous troupes in Urumqi were Xinzhong, Yifeng, and Xibei. Being a complement, ＂Zile＂ troupe was set up by amateurs. Shaanxi-styled opera in Xinjiang turned on various forms and had different degrees of development. It became a significant part of folk art forms in Xiniiang.

关 键 词：建国前 乌鲁木齐 秦腔 发展 

分 类 号：K207[历史地理—历史学]