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作 者:颜珺[1]
机构地区:[1]西安欧亚学院通识教育学院,陕西西安710065
出 处:《西安欧亚学院学报》2012年第3期82-85,共4页Journal of xi‘an Eurasia University
摘 要:明清之际成书的诸多关涉男女婚恋的小说在清代均遭禁毁,此类小说因其所反映的社会婚恋观念与价值体系存在激烈焦灼的矛盾冲突,而争议颇多。小说作者所持婚恋观大体存在三种形态:一是明末成书的小说大胆肯定情欲宣泄;二是清初成书的小说多强调持正守礼;三是交替之际的作品放纵与收敛纠结并存。这种婚恋观念的转型与突变,充分体现了时代变迁之际人们的思想困惑与文化阵痛。试图对这一文化现象的历史成因与社会存在作一探讨。Many novels about love and marriage written in the Ming and Qing dynasties were offi- cially banned during the Qing dynasties, for the outlooks on love and marriage represented in the novels were contradictory with the values at that time. Generally speaking, the authors of the novels held three outlooks on love and marriage. The novels written in the Ming dynasty often supported the sensual pleas- ure seeking boldly; those written in the early Qing dynasty tended to stress the importance of worship- ping traditional rituals of love and marriage; those written between the Ming and Qing dynasties com- bined the sensual pleasure seeking with the traditional rituals worshipping. The mutation of the outlook on love and marriage incarnated the cultural shock and confusion of people during the transformational period of the times. This paper tries to find out the historic causes and social existence of the cultural phenomenon.
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