古代诗歌评论中的取象作喻类型  

Types of Objects for Image Criticism in Ancient Poetry Review

作　　者：张燕[1] 

机构地区：[1]西南大学文学院,重庆北碚400715

出　　处：《安庆师范学院学报（社会科学版）》2012年第3期17-21,共5页Journal of Anqing Teachers College(Social Science Edition)

摘　　要：滥觞于先秦,兴起于魏晋的象喻批评,是文学批评家用生动具体的形象来比喻和阐释批评对象的内在意蕴或整体风格的一种文学批评样式。它的取象作喻类型丰富多样,大致说来,可分为四:人化之喻;自然物象之喻;禅喻和典喻。象喻批评根植于中国文化土壤之中,是一种具有中国特色的文学批评方法。Originating from the pre-Qin period and flourishing in the Wei and Jin period, image criticism is one of the forms of literature criticism which utilizes concrete and vivid images to compare and interpret the intrinsic meaning and overall style of the objects being criticised. The types of the objects for image criticism are various and can be generally divided into four categories ： humanizing image, natural object image, Zen image and literary quotation image. Image criticism is rooted in the soil of Chinese culture, and it is a method of literature criticism with distinguished Chinese characteristics.

关 键 词：象喻 诗歌评论 取象 中国文化 

分 类 号：I207.22[文学—中国文学]