线性·相对·静止·整体——中国现代主义诗歌中的时间意识类型  

Linearity·Relativism·Quiescence·Integrality——The Types of the Time Consciousness in Chinese Modernist Poetry

作　　者：王波[1] 

机构地区：[1]清华大学中文系,北京100084

出　　处：《石河子大学学报（哲学社会科学版）》2012年第3期83-89,共7页Journal of Shihezi University(Philosophy and Social Sciences)

摘　　要：时间意识在中国现代主义诗歌中的体现主要有四种类型。20世纪20年代的象征诗派和30年代的戴望舒与何其芳受传统的影响,主要表现为哀叹时光流逝和生命短暂的线性时间意识。卞之琳受西方相对论以及意识流的影响在诗歌文本中凸显了相对时间意识。废名深深熏陶在禅宗的氛围中,讲究以顿悟的静止时间意识体验外在世界与内心世界的一切。冯至与九叶诗派受里尔克、艾略特、叶芝等西方现代主义诗人的影响追求融合过去、现在、未来的整体时间意识。There are four types of the time consciousness in the Chinese modernism poetry. Symbolist po- etry in the 1920s and Dai Wangshu, He Qifang in the 1930s affected by the tradition show the linearity time to lament the passage of time and transience of life. Bian Zhilin who was affected by the theory of relativity and the stream of consciousness shows the relative time in the poetry texts. Fei Ming deeply immersed in the Zen Buddhism realizes everything about the outside and inner of world by quiescent time. Feng Zhi and the nine famous poet influenced by Rainer Maria Rilke, Eliot,Yeats and other poets of Western modernism pursue the integration of past, present and future.

关 键 词：中国现代主义诗歌 时间意识 类型 

分 类 号：I207.25[文学—中国文学]