民国时期乌鲁木齐秦腔艺术的发展  

A Study on the Development of Qinqiang Opera in Urumqi in the Period of Republic of China

作　　者：买玉华[1] 

机构地区：[1]新疆社会科学院历史研究所,新疆乌鲁木齐830011

出　　处：《石河子大学学报（哲学社会科学版）》2012年第3期119-124,共6页Journal of Shihezi University(Philosophy and Social Sciences)

摘　　要：秦腔是在新疆流行历史较久的剧种之一,解放前与河北梆子、京剧并称新疆的三大戏。自传入迪化(今乌鲁木齐)后,秦腔即深受社会各界人士的喜爱,获得了巨大发展。民国时期秦腔艺术在迪化的发展经历了以下历程:"三合班"成立后秦腔艺术在乌鲁木齐取得发展;新中舞台成立后秦腔艺术在乌鲁木齐的发展出现繁荣景象;抗战胜利后秦腔艺术在乌鲁木齐发展至鼎盛并逐渐走向衰落。Qinqiang Opera is one of the operas that have boasted the longest history in Xinjiang and was known as one of three major operas （the other two are Hebei Bangzi Opera and Beijing Opera） before 1949. Since its introduction into Dihua （now called Urumqi ）, Qinqiang Opera has won a great popularity among the people of different social classes, and has experienced great development. Qinqiang Opera went through the following stages in Dihua in the period of Republic of China. After the setting up of Sanhe Troupe, Qinqiang Opera began to grow. Later, Xinzhong Stage Company was established, Qinqiang Opera got to flourish in Urumqi. After the War of Resistance Against Japan, Qinqiang reached its zenith in Urumqi and then gradually declined.

关 键 词：民国时期 乌鲁木齐 秦腔艺术 发展 

分 类 号：K258[历史地理—历史学]