自我的觉醒:论《离骚》的“灵均”形象  

Self-awakening: Discussion on the Image of LING Jun in Li Sao

作　　者：施仲贞[1] 

机构地区：[1]南通大学楚辞研究中心,江苏南通226019

出　　处：《海南大学学报（人文社会科学版）》2012年第3期22-29,共8页Journal of Hainan University （Humanities & Social Sciences）

基　　金：江苏高校哲学社会科学重点研究基地重大项目(2010JDXM037);国家社科基金项目(10BTQ031);2011年南通大学人文社科研究项目(11W03);南通大学博士科研启动基金项目

摘　　要：在《离骚》中,屈原成功地塑造了一个极具个性的抒情主人公形象———"灵均"形象。"灵均"形象的塑造背景,主要体现在国家危机、社会思潮、政治困境、身体焦虑等四个方面。"灵均"形象,不仅仅是一个哭己不幸的失意者形象,而且还是一个歌己不屈的反抗者形象。只有当这两种形象共同存在时,他才是屈原自我形象的完整投影。如果说前者形象引发了后世文人对屈原的不幸遭遇产生共鸣与同情,那么后者形象才真正引起了后世文人对屈原的不屈精神产生崇拜和追求。In Li Sao, QU Yuan successfully created a highly personal and lyrical hero image - LING Jun. The shaping background of LING dun＇ image is mainly composed of national crisis, social ideological trend, political difficulties and personal anxiety. The image of LING Jun is not only a frustrated image crying for his own misfor- tune, but also a resistant image singing for his unyieldingness. And only when these two images co-exist, it is the complete projection of QU Yuan＇ s self-image. If the former image is the cause driving later scholars to sym- pathize for QU Yuan＇ s misfortune, it is the latter image that indeed ignites their worship to and pursuit for QU Yuan＇ s indomitable spirit.

关 键 词：离骚 自我 灵均 失意者 反抗者 

分 类 号：I222.3[文学—中国文学]