媒介意识形态的诡计——德里罗《天秤星座》的文化解读  

The Trick of Media Ideology:A Cultural Reading of DeLillo's Libra

作　　者：周敏[1] 

机构地区：[1]上海外国语大学文学研究院,上海200083

出　　处：《外语与外语教学》2012年第4期82-85,89,共5页Foreign Languages and Their Teaching

基　　金：国家社科基金项目"德里罗的小说与当代美国媒介文化"(项目编号:11CWW010);教育部规划项目"超越后现代主义:德里罗研究"(项目编号:09YJA752015);上海外国语大学青年创新团队项目"战后美国小说与当代世界问题研究"(项目编号:QJTD11ZHM01)的阶段性成果

摘　　要：与通常将《天秤星座》视为后现代文本的阅读不同,本文从意识形态层面入手分析小说主人公奥斯瓦尔德在肯尼迪遇刺这个中心事件上所扮演的角色,着意揭开当代意识形态运作的复杂性。这种复杂性主要表现为,在由媒介现实和消费文化所编织的现实之网中,当代资本主义媒介意识形态不是通过对主体反抗行为的压制、排除,而是通过默许、整合,从而实现对主体的一如既往的控制。Different from the prevailing postmodernist reading of Libra, this article employs an ideological perspective with which to look at the role Oswald plays in DeLillo＇s fictional specula- tion of the assassination of President John. F. Kennedy. It is in- tended to reveal the complexity of contemporary ideology or rather, the trick the ideology plays on subject： it is not, as usu- al, by means of suppression and exclusion, but by means of tacit permission and integration, of the resistance from subject, that the ideology gains its control of subject,the change of which is a result of the new reality interwoven with media and consumer culture.

关 键 词：《天秤星座》 媒介 意识形态 媒介意识形态 

分 类 号：I06[文学—文学理论]