论《文心雕龙·知音》的“文学接受”思想——兼论知音的单向度  

On the "Literary Acceptance" of Zhiyin in the Book Wen xindiao lon and the Unidirectionalism of Zhiyin

作　　者：王勇[1] 

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《鸡西大学学报（综合版）》2012年第8期90-91,共2页JOurnal of Jixi University:comprehensive Edition

摘　　要："接受美学"兴起于上世纪八十年代,它为我们解读《知音》篇提供了全新的理论视角,使我们跳出了鉴赏与批评的二分理论模式。《知音》篇体现出接受美学的一些思想,但与接受美学又不尽相同。过去我们一直认为没有绝对的单向度知音,但是实际上由于时空的阻碍与思想和身份的差异,的确存在绝对的单向度知音。Receptive Aesthetics emerged in the 1980s, offers new perspective for us to understand the nature of the part of Zhiyin, and help us to go out of the dichotomy of appreciation and criticism. The part of Zhiyin revealed some ideas of the Receptive Aesthetics, which are not exactly the same as the ideas of Receptive Aesthetics. In the past, people assumed that there was no absolute unidirectional ＂zhiyin＂ but in fact due to the impediment of time and space and the differences in thoughts and identification, there do exist absolute unidirectional ＂zhiyin＂.

关 键 词：《知音》 文学接受 单向度 

分 类 号：I206.09[文学—中国文学]