明代曲化词探析  

A Study about the Singing Ci in the Ming Dynasty

作　　者：宋瑞芳[1] 

机构地区：[1]内蒙古财经学院中文系,内蒙古呼和浩特010051

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2012年第3期133-136,共4页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金项目"诗词关系与词体演进"(09XZW008)的阶段性成果

摘　　要：明代曲化词的大量存在是客观事实,不以论者意志为转移。本文从词与曲的关系入手,认为俚俗质朴的"曲子词"与曲最为接近,词虽然在发展过程中逐步被雅化,但俚词始终在民间甚至在部分文人作品中存在并发展。明词的曲化,是词在濒临消亡的边缘,寻找源头,汲取养分的自然选择。优秀的曲化词能融会词、曲的优长,表现出真率自然、妙趣天成的美感,本身就体现了词在明代的发展与走向,从词体演进的角度来看,曲化词也是促成清词中兴的条件。The singing Ci in the Ming Dynasty is an objective existence that no one can deny. Starting with the relationship between Ci and Qu , this article concludes that the plain and unrefined ＂singing Ci＂ is closest to Qu. Though it was gradually refined in its development, it still existed and developed among people, and even in the works of some scholars. The change of Ci into Qu was actually the natural choice of Ci looking for source and absorbing nutrients on the verge of disappearance. Excellent singing Ci could combine the good points of both Ci and Qu, manifesting real, natural and interesting aesthetic flavor. It embodied the development and direction of Ci in the Ming Dynasty and prepared for the prosperity of Ci in the Qing Dynasty.

关 键 词：曲化词 曲 俚俗 真率自然 妙趣天成 

分 类 号：I207.22[文学—中国文学]