由“藻溪”到“大洋”:张翎小说中的水意象  

From "Stream" to "Oceans":Water Image of Zhang Ling's Novels

作　　者：朱育颖[1] 

机构地区：[1]合肥学院中文系,安徽合肥230601

出　　处：《皖西学院学报》2012年第3期110-114,共5页Journal of West Anhui University

基　　金：合肥学院引进人才科研启动基金计划项目"当代女性写作的构建与反思"(08RC08)

摘　　要：加拿大华裔作家张翎从容地徜徉于跨文化语境中,书写游走东西两岸的经验与想象,以水为媒链接岁月变迁,以水为喻弘扬女性精神,以水为思探寻精神之旅,赋予水意象丰富的审美内蕴与独特魅力。人与水的双向互动,实现了从"物质之水"到"审美之水"的提升,并由前期创作风格的清新婉约转向近期的更有力度,创作视域和"水域"愈来愈宽广,精心构筑了中西合璧、颇具特色的"水利工程"。Chinese Canadian writer Zhang Ling leisurely strolls in the intercultural context,writing about her own East-West experience and imagination.She uses water as the medium to link it with the changes of the time,promotes the spirit of female,and goes on her spiritual journeys.She vests water with rich aesthetic connotation and unique charm.By interaction between man and water,she achieves the upgrade from the ＂material of water＂ to ＂aesthetic water＂.Her writing style has changed from the early fresh gracefulness to recent more strength,her creative vision and＂water area＂ is more and more broad.She has carefully constructed a distinctive ＂water project＂ by blending the East and the West.

关 键 词：水意象 文化符码 跨域书写 

分 类 号：I711.65[文学—其他各国文学]