《庄子》与文人绘画的创作心态  

Chuang Tzu and the Creative Mentality of Chinese Literati Paintings

作　　者：张梅[1] 

机构地区：[1]北京科技大学文法学院,北京100083

出　　处：《北京科技大学学报（社会科学版）》2012年第2期77-83,共7页Journal of University of Science and Technology Beijing(Social Sciences Edition)

基　　金：教育部人文社会科学<〈<庄子>〉与中国画家心态研究>项目成果(项目号:05JC760022)

摘　　要：在整体美学风貌及品格上,《庄子》对唐宋以后形成的古典诗歌"意境"论、宋元以后逐渐成型的文人画美学标准,皆影响至深,此点前人已多有论及。文章拟从创作心态的角度入手,通过梳理传统画学对绘画功能的认识、宋元时期逐渐成型的文人画从传统绘画的"形似"发展到宋画之达理适意、再渐至元画之"意趣"入手,分析文人画对绘画功能认识的逐渐转变,在此基础上渐渐蕴生了文人墨戏,并探讨贯穿于前述整个艺术史过程中的《庄子》对文人绘画创作心态的影响。On the overall aesthetic character, it is no exaggeration to say that the Chuang Tzu has influenced Chinese poetry artistic conception and literati painting artistic criterion more profoundly than any other single book. This is a common sense in academia. This dissertation tries to study the cognition of painting＇ s funtion and literati painting＇ s developing from form similitude to content in mind, then to interest, through which period literati play was born. After that, the paper analyzes the Chuang Tzu＇s influence on literati psychology throughout the whole art history.

关 键 词：《庄子》 文人画 墨戏 

分 类 号：J2[艺术—美术]