宋词“镜”意象的审美探析  

Aesthetic analysis of the mirror images in the poetry of the Song Dynasty

作　　者：林盛禹[1] 

机构地区：[1]广州科技贸易职业学院基础部,广东广州510600

出　　处：《安徽理工大学学报（社会科学版）》2012年第2期67-70,共4页Journal of Anhui University of Science and Technology:Social Science

基　　金：2011年度教育部一般项目"远范畴的审美空间研究"(11YJC751025)资助

摘　　要：镜子是古代女子闺中之物,在骚人墨客的笔下,呈现出多彩多姿的审美情思。宋词中出现的大量镜子的意象,其审美指向大多都蕴含着光阴流逝、容貌随时间逝去而衰老的无奈、深闺生活的百无聊赖及思念他人时彷徨的心境等细腻的感情。宋词中的镜子意象,一方面反映了当时人们的生活境况及词人敏感细腻的内心世界,另一方面也折射出宋代的文化光辉。As the close thing for women in ancient China,the mirror exhibit colorful,aesthetical emotions and melancholy in the lines of the writers and poets.The abundant mirror images appearing in the poetry of the Song Dynasty denote some aesthetic,subtle feelings,which suggest the lapse of time,the helplessness of aging for a woman,the boredom of boudoir life and the anxiety of missing their lovers.The mirror images in the poetry of Song Dynasty not only embody the situation of people＇s lives and the poets＇ inner world of sensitivity at that time,but also reflect the cultural glory of the Song Dynasty.

关 键 词：镜子 意象 审美 

分 类 号：I207.22[文学—中国文学]