论“意”及作为哲学之“意”的空间性——从言、象、意论中国古代诗学的空间性之五  

On "Meaning" and Spatial Nature of "Meaning" in Philosophy——On Space in Ancient Chinese Poetics from the Perspective of Words,Images,and Meanings(Ⅴ)

作　　者：邓伟龙[1] 尹素娥[2] 

机构地区：[1]桂林师范高等专科学校中文系,广西桂林541001 [2]桂林师范高等专科学校图书馆,广西桂林541001

出　　处：《唐山师范学院学报》2012年第4期16-21,共6页Journal of Tangshan Normal University

基　　金：教育部人文社会科学规划基金项目(11YJA751009)

摘　　要："意"是探讨中国古代诗学一个不可回避的问题,传统的"诗言志"或"诗缘情"其实就是"诗言意"。但在中国古代文论中既有强调又有反对"以意为主"矛盾的一面,这是因为中国古代文论之"意"是与"气"密切关联的"道",而"道"说到底是一种空间性的混沌或混沌的空间,这也就决定了中国古代诗歌是一种空间(或至少是偏向于空间)性的艺术。＂Meaning＂ is an unavoidable issue in classical Chinese poetics.The traditional ＂poetry expressing ideals＂ or ＂feeling in poem＂ is actually ＂poetry expressing meaning＂.But in classical literary theory,there are both advocating for and opposition to ＂focus on meaning＂.This is because in classical literary theory,＂meaning＂ is a kind of ＂tao＂ closely related to ＂qi＂;while ＂tao＂ is in essence a kind of spatial chaos or chaotic space,which determines that classical Chinese poetry is a kind of space art（or at least a space-oriented art）.

关 键 词：意 道 混沌 中国古代诗歌 空间性 

分 类 号：I222.4[文学—中国文学]