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作 者:黄擎[1]
出 处:《山东师范大学学报(人文社会科学版)》2012年第4期37-41,共5页Journal of Shandong Normal University(Humanities and Social Sciences)
基 金:作者主持研究的国家社会科学基金青年项目<"关键词批评"的理论范式及其在中国的批评实践研究>(11CZW019);教育部人文社会科学研究青年基金项目<"关键词批评"研究>(10YJC751035)的阶段性成果;浙江省社科联"之江青年社科学者行动计划"支持
摘 要:在"关键词批评"的影响下,我国当代文学研究领域出现了引人注目的"关键词写作"现象,并在批评实践中表现出了较为明确的学科反省意识、自觉的学科建设指向,注重紧密联系创作主体和文学作品展开相关研究,在映现时代新变的同时推动了当代文学学科的发展。我们应合理运用"关键词批评",正视其"短板",避免造成"关键词批评"的霸权化、浅表化、快餐化和简单化,真正做到以问题带动关键词的创新,推进我国当代文学研究的良性发展。"Keywords writing", a literary phenomenon that appeared under the influence of " Keywords Criticism", has attracted remarkable attention in the field of contemporary literature in China. It manifests an awareness of discipline reflection and discipline construction, and carries on researches which lay stress on the close relationship between the creative subject and his literary works, thus promoting the development of contemporary literature. Bearing the "shortcomings" of "Keywords Criticism" in mind, we must avoid its tendency of hegemony, and of superficial and over-simplified interpretation, and practice question - oriented resear- ches. Only by doing this, can we innovate and apply "keywords criticism" properly, and promote a healthy development of contemporary literature research in our country.
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