写在《水漫金山》播出时——访《哪吒传奇》《美猴王》《水漫金山》动画总导演陈家奇  

Writing on the Broadcast of "Flooding of Jinshan Temple" ——An interview with Chen Jiaqi,the animation director of "The Legend of Nezha", "Monkey King" and "Flooding of Jinshan Temple"

作　　者：李南[1] 孙哲[2] 

机构地区：[1]西南民族大学艺术学院,四川成都610041 [2]成都学院美术学院,四川成都610106

出　　处：《成都大学学报（社会科学版）》2012年第4期105-110,共6页Journal of Chengdu University (Social Sciences)

基　　金：教育部人文社会科学2010年度一般项目"中国动画的主要缺失与对策研究";项目编号:10YJA760028;四川省教育厅四川动漫研究中心项目;编号:20111108

摘　　要：当下电视已取代影院成为动画播出第一平台,中央电视台又区别于地方台,陈家奇导演的作品占据了央视重点动画的可观一席。陈家奇动画作品自觉传承着中国主流文化与美影厂经典动画的优良品质。此次陈家奇访谈真实地反映出目前中国动画业界人才、环境、技术的现状对当下中国动画进行客观地思索与描述。Yan Dingxian, the second director of China Animation Film Studio once called Chen Jiaqi ＂ Old Chen＂, which indicates somewhat fame of Jiaqi in animated film production. Nowadays TV has replaced the cinema and become the first platform of animation broadcasting, and because CCTV is different from the local stations, the animated works produced by Chen Jiaqi have taken a very important position in the CCTV key animation products and have consciously inherited the mainstream of Chinese culture and the good quality of the classic animation of the Animation Film Studio. Since this interview with Chen Jiaqi is really a reflection of the talents, environment, technology and the actual situation of our animation industry, it is the objective thinking and description of contemporary Chinese animation.

关 键 词：儿童化 水漫金山 文化传承 技术差异 

分 类 号：J954[艺术—电影电视艺术]