自然天成:庄子艺术创造的美学观  

Spontaneousness:Chuang Tzu's Aesthetic View of Artistic Creation

作　　者：颜翔林[1] 

机构地区：[1]温州大学人文学院,浙江温州325015

出　　处：《西北师大学报（社会科学版）》2012年第5期28-32,共5页Journal of Northwest Normal University(Social Sciences)

基　　金：浙江省社会科学规划项目"庄子怀疑论美学及其当下意义"(06CGWX25YBX)

摘　　要：依庄子之见,唯有自然和真实的审美创造才可能成为至善的文本,才能成为"道"的感性载体和象征符号,"真人"和"真实"是"自然"的必然构成和基础。艺术创造过程首先需要宁静虚空、凝神沉思的心理状态,处于这一精神状态,想像力和灵感才得以最大程度地敞开和爆发;其次是精湛传神的技艺,包括语言策略、修辞技巧、叙事方式等方面。《庄子》文本不但闪耀着比喻、隐喻、象征、寓言等亮色,还呈现出潇洒自由、汪洋恣肆、不拘一格的浪漫和唯美的特性,随意建构的幽默和暗含机锋的语境令接受者的阅读活动自然欣悦。庄子的话语天然无雕饰,进入自然天成的艺术化境。From Chuang Tzu＇s point of view, only natural and genuine aesthetic creation can make a perfect text, and make a perceptual carrier and symbol of ＂Tao＂. ＂Genuine subject＂ and ＂Genuineness＂ are the essential elements and basis of ＂spontaneousness＂. Chuang Tzu argues that in the process of creating art, the mental state of tranquility, unloading and meditation is firstly needed. Only in this state can imaginations and inspirations burst out, and superb skills are the second important including linguistic strategies, rhetorical skills and narrative methods, and etc.

关 键 词：自然 庄子 艺术创造 美学观 

分 类 号：B830[哲学宗教—美学]