西方油画中主观性色彩的发展  

Development of Subjectivity Color on Western Oil Painting

作　　者：宋小青[1] 

机构地区：[1]河北联合大学艺术学院,河北唐山063009

出　　处：《河北联合大学学报（社会科学版）》2012年第6期223-225,共3页Journal of Hebei Polytechnic University:Social Science Edition

摘　　要：主观性色彩是情感的符号,精神的载体,特别是后印象派以来,主观性色彩的表现力才得到逐步加强,对后来的现代主义油画艺术产生了深远的影响,也越来越受到绘画者和艺术评论家的探索与研究。通过对主观性色彩概念的阐释,并指出主观性色彩和客观性色彩的区别与联系,以期人们对掌握主观性色彩的发展规律有所裨益,且为把握油画中主观性色彩的艺术特点给以铺垫。Subjectivity color is the symbol of emotion and the carrier of spirit in western paintings art, especially since post-impression- ism,the expressive force of subjectivity color has strengthened gradually, it has profound effect on Modernist Painting, and more and more painters and critics make exploration Research. Firstly, define concept of subjectivity color, and the difference and relation be- tween subjectivity color and objectivity color are pointed out. It can be beneficial to expect to master development law and characters of subjectivity color.

关 键 词：主观性色彩 西方油画 客观性色彩 情感表现 

分 类 号：J206.3[艺术—美术]