《诗经·周颂》与《安世房中歌》、《郊祀歌》之比较  

Comparison between The Ode to Zhou and The Seventeen Temple Hymns and The Nineteen Poems of Sacrificial Rites of Han Dynasty

作　　者：李玲玲[1] 刘永红[1] 

机构地区：[1]河北工业职业技术学院,河北石家庄050091

出　　处：《河北广播电视大学学报》2012年第4期32-34,共3页Journal of Hebei Radio & TV University

摘　　要：《周颂》、《安世房中歌》、《郊祀歌》同为祭祀诗,它们在为"安上治民"、"移风易俗"服务时,除了共同的祈福敬神功能之外,又表现出各自不同的特点,都反映了社会的发展和变迁。《周颂》对周王朝德行的歌颂,《安世房中歌》对高祖功德的描述以及《郊祀歌》浓烈的汉代风尚,都是这一变迁的鲜明反映。The Ode to Zhou in The Book of Songs, The Seventeen Temple Hymns and The Nineteen Poems of Sacrificial Rites are sacrificed rites in ancient China. Besides their functions of consoling emper- or and ruling his men, changing customs and praying luck and revering supernatural beings, they also have their own characteristics, which reflect social development and changes. Singing the praise of the virtues of the Zhou Dynasty by The Ode to Zhou, the description of the merits and virtues of Han Gaozu by The Sev- enteen Temple Hymns, and the strong Han style of The Nineteen Poems of Sacrificial Rites are all the reflection of these remarkable changes in Han Dynasty.

关 键 词：祭祀诗 祈福敬神 汉代风尚 

分 类 号：I206.3[文学—中国文学]