西部电影历史价值与文化意义思考  

The Historical Value and the Meaning of Culture to the Western Movies

作　　者：周星[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《西北大学学报（哲学社会科学版）》2012年第4期57-61,共5页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社科基金艺术学科年度课题项目(09BC023)

摘　　要：历史上的中国西部电影产生在一个特定开放的年代,激扬向上的精神需求给予人们不能不褒奖认知的热度,而西部电影的创作的确出色形成风潮,催化出理论认知的迫切,西部电影的概念提出凝聚了那一个时代的蓬勃朝气的批量创作。新西部电影不仅是简单的地域西部的西部电影,而是在亲近老西部电影的精神,面对娱乐文化高扬而得利却人心缺失背景下的精神文化寻找的电影期望对象,西部电影是应该承载着文化批评精神内涵、人文情怀托付、独特民族风情传扬、人物个性独卓呈现的文化电影。Historically speaking, China ＇ s western movies were first produced in a special period of opening up, which is a call of People＇ s spiritual need, and its popularity calls for the theoretical cognition. The concept of the western movies is based on the harvest of first- class movies. The new western movies are not only geographical, but also spiritual, a quest of spiritual culture. The western film should carry out the cultural criticism spirit connotation, human feelings, be entrusted with the unique national amorous feelings and the characters of the present cul- tural movies.

关 键 词：西部电影 精神气养 文化环境 创造 

分 类 号：J0[艺术—艺术理论]