论邓肃书法的审美趋尚——基于其《论书》及书迹题跋  

Deng Su's Calligraphy and Aesthetic Tendency——Based on Calligraphy by Deng Su & its Inscriptions

作　　者：金文凯[1] 

机构地区：[1]三明学院中文系,福建三明365004

出　　处：《河南科技大学学报（社会科学版）》2012年第4期40-46,共7页Journal of Henan University of Science & Technology(Social science)

基　　金：三明学院科研基金项目(A0901/G)

摘　　要：邓肃为宋南渡时期著名谏官和爱国诗人,有《栟榈集》25卷传世。他诗、词、文兼善,又长于书法。《论书》阐明了他对笔墨纸砚的认识与取用法则,并对唐宋几位书法大家及其书法特点进行了品评鉴赏;由其书迹题跋,可以洞见其以人论书的书学思想及尚晋崇王的书法趋尚。邓肃《论书》及其书迹题跋,皆精到语,既充分体现了他的书法造诣,也折射出宋季书学的审美取向。Deng Su, a famous court-admonisher and patriotic poet in Southern Song, is known for twenty-five volumes of poems collection- Bing Lv collection. Deng is not only good at poems and articles, but also excellent at calligraphy. His works On Calligraphy clarifies his understanding of the ink, paper, ink stone and its relevant application rules, and appreciation of calligraphy works from penmen in Tang and Song Dynasties. Deng＇ s inscriptions illustrate his calligraphy tendency：advocating calligraphy in Jin Dynasty and distinguished penman Wang Xizhi. Deng Su＇ s works and inscriptions, full of subtle language, fully demonstrate his calligraphy skills, reflecting aesthetic orientation in Song Dynasty.

关 键 词：邓肃 书学观 书法 

分 类 号：J292.25[艺术—美术]