论宋代咏物词的修辞建构与梦窗范式  

On Rhetorical Construction and Mengchuang Pattern in Object-Eulogizing Cis in Song Dynasty

作　　者：孙虹 

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《福建师范大学学报（哲学社会科学版）》2012年第5期50-55,共6页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：国家社科基金后期资助项目(编号:11FZW011);教育部规划基金项目(编号:10YJA751066)系列成果之一

摘　　要：文章比照宋代柳永、周清真、史梅溪、吴梦窗的咏物词作,阐述了赋笔、禁体、内抱、外抱数种修辞手法在两宋咏物词发展过程中的融会贯通,认为吴梦窗前收柳永、周清真、史梅溪诸家,咏物词中修辞运用趋于规范,物态我情达到平衡,意绪涵茹,深寓寄托,引领了晚宋咏物词的理论与创作导向,成为后世词家的典范。By making a comparison among Liu Yong, Zhou Qingzhen, Shi Meixi and Wu Mengchuang, this paper demonstrates a combination of rhetorical devices such as fu style, containment, in- ternality and externality in object-eulogizing cis in Song Dynasty, pointing out that by capitalizing on the achievements of Liu Yong, Zhou Qingzhen and Shi Meixi, Wu Mengchuang employing rhetorical devices in a more standard manner, reaching a balance between objects and sentiments and embodying what is otherwise explicitly stated, thus settting a trend for the theoretical construction and practical production of ob- ject-eulogizing cis in late Song Dynasty.

关 键 词：宋词 赋笔为词 禁体咏物 内抱外抱 梦窗范式 

分 类 号：I052[文学—文学理论]