从《诗论》看朱光潜对王国维美学思想的重解和建构  

On the Inheritance and Development of Wang Guowei's Aesthetic Thoughts in Zhu Guangqian's Poetics

作　　者：汪文忠[1] 

机构地区：[1]合肥学院中国语言文学系,合肥230601

出　　处：《合肥学院学报（社会科学版）》2012年第5期30-35,共6页Journal of Hefei University:Social Sciences

基　　金：安徽省社科联规划项目(B2012002)研究成果

摘　　要：从《诗论》可以分析,朱光潜对王国维美学思想进行了辩证重解。在诗歌本质和功用方面,朱光潜认同王国维超功利性审美独立价值观,在"超脱观"基础上,把"人生艺术化"作为美学旨归;从生命层面,朱光潜颠覆性地重解王国维"境界说"等美学术语,在理论构架和深层思理上摒弃了王国维感性和零散型特点,以《诗论》构建了严整科学的现代美学学科体系。From Poectics , one of Zhu Guangqian＇s representative works on Aesthetics, it can be seen that Zhu Guangqian dialectically re-paraphrased Wang Guowei＇s aesthetic thoughts than mere inheritance. First of all, as far as the essence and functions of poetry are concerned, Zhu Guangqian approved of Wang Guowei＇s super utility aesthetic value, based on which he regarded artistic life as the aesthetic target; as far as life is concerned, Zhu re-paraphrased and amplified somerelative key terms such as ＂realm theory＂ and so on; as far as theoretic framework and profound thoughts are concerned, he abandoned Wang Guowei＇s perceptual and fragmenting thoughts andreconstructed a scientific modem aesthetics system with his Poectics.

关 键 词：朱光潜 《诗论》 王国维 继承 发展 

分 类 号：I222.8[文学—中国文学]