现代散文诗的“独语”和“对话”艺术——以鲁迅、何其芳作品为例  

The Art of Monologue and Dialogue in Chinese Contemporary Prose Poems——Take Lu Xun and He Qifang ' s Works for Example

作　　者：张翼[1] 

机构地区：[1]福建警察学院基础部,福建福州350007

出　　处：《闽江学院学报》2012年第4期77-81,共5页Journal of Minjiang University

摘　　要：现代散文诗以独语和对话的艺术言说方式感通万物,其文体形式与内心困境的揭示有着同构关系。独语描绘了真实的幻象和幻象的真实,对话形成自我与他者、外部交流的"意欲语境",二者的兼具使现代散文诗既有自我观照式的内敛语境,又有交流开放的文本特征。独语与对话的精妙运用使散文诗的文体更具诗意功能,其诗性思维和内心感应相谐和,唤起人们更敏锐的艺术感受力,展示对现代人生已然达到和可能抵达的审美想象标度。Chinese Contemporary prose poems express the spiritual feeling in the artistic form of monologue and dialogue, with the reveal of style and the inner world sharing the isomorphic structure. Monologue describes the real imagine world and imaginary reality, while dialogue forms artistic conception between other people and the writer himself as well as external communication. The combination of monologue and dialogue represents the style of the contemporary prose poems that it not only embodies the internal context of self-expression, but also characterize in open communication with external environment. Ingenious application of monologue and dialogue strengthens the po- etic function in the style of contemporary prose poem, achieves the harmony between poetic thinking and inner feel- ing, arouse more acute appreciation from people and displays the aesthetic standard modern life might achieve or has achieved.

关 键 词：现代散文诗 独语 对话 审美想象 

分 类 号：I206.6[文学—中国文学]