检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:黄柏青[1]
机构地区:[1]长沙理工大学设计艺术学院,湖南长沙410004
出 处:《湖南科技大学学报(社会科学版)》2012年第5期160-163,共4页Journal of Hunan University of Science and Technology(Social Science Edition)
基 金:国家社科基金项目(11BZW016);教育部人文社科基金规划项目(09YJA760045);湖南省教育厅课题(09C103)
摘 要:随着消费社会的日益扩展,日常生活的审美化不断蔓延,设计的社会地位日益凸显。设计最后能否被消费者所接受、所认同,其中一个重要的因素就是审美。近年来设计美学的研究呈日益发展壮大之势,但时至今日,其学科性质、对象范围、演进状况、存在问题等依然没有引起学界重视,迫切需要对此加以清理,探寻建设性的可行路径,以利于设计美学的更好发展。With the increasing expansion of consumption society, the aestheticization of daily life has continued to spread, and the design has played more and more important role in society. Whether the design will be finally accepted and recognized by the consumers, one of the important factors for it lies in aesthetics. Recent years has seen a rapid development in design aesthetics. However, up till now, such problems as its discipline nature, object scope, evolution status, and existing problems, ere have not been paid attention to by academic circles. If these questions can be cleared, the design aesthetics will develop better.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.188