论音乐在电影中的叙事作用  

The Analysis on Narrative Function of Film Music

作　　者：孙作东[1] 

机构地区：[1]通化师范学院音乐系,吉林通化134000

出　　处：《东北师大学报（哲学社会科学版）》2012年第5期179-182,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：吉林省教育厅"十一五"社会科学研究项目(吉教科文字[2009]第400号)

摘　　要：音乐作为一种纯粹的听觉艺术,在以影像为主导表现形式的电影艺术中起着至关重要的作用。与影像的叙事方式不同,音乐经常以一种隐形叙事者的角色参与电影叙事,并以其独特的方式通过与受众情感共鸣的达成,迅速将其带入电影的虚拟时空,从而完成受众与作品的审美互动,帮助作者达成叙事目的。As a purely auditory art,music plays a vital role in movies works which are mainly based on image forms. In the very different ways of the image narrative,music always involves in the movie narrating process as an invisible narrator, reaches resonances with the readers in its unique way,and brings the readers into the film world immediately. Movie muisc helps the author reach the narrative purpose by the completion of aesthetic interaction between readers and the works. This article mainly explains the distinctive founetion of movie music by the analysis of several texts fragment in works directed by Jiang Wen.

关 键 词：音乐 电影叙事 姜文电影 

分 类 号：J617.6[艺术—音乐]