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作 者:马雷[1]
出 处:《艺术百家》2012年第6期80-83,共4页Hundred Schools In Arts
摘 要:艺术与科学的发展路径有异曲同工之妙,先是追求本质、基础、规律和确定性,旨在把艺术与非艺术,科学与非科学泾渭分明地区别开来,这是经验主义和理性主义的艺术观和科学观,后来开始反本质,反基础,反中心,追求不确定、模糊、测不准、冲突,分解、语用学悖论、权力等成为另类合法模式,使得艺术与科学成为无政府主义的事业。今天,人们发现,艺术和科学强调自由和创新,但也不是无政府主义的事业,其中,没有惟一的规范,只有多元的规范,而这多元的规范却围绕一个不变的核心——协调。由此,艺术和科学中那些变动不居的东西,那些引起思想界骚乱的变化,就可以在时间之流中得到具体的强弱比较。于是,艺术和科学仍然是进步的事业。There is something common in the development of art and science. First of all, they get to know their es- sence, base and law so as to tell art from non - art, science from non - science. Later, they begin to go against their essence, base, center, and begin to pursue something indefinite, obscure, during which disassembling, pragmatic paradox, power become other legal models. Today, people find that art and science stress freedom and innovation, however, it doesnt mean that they are anarchical causes. It means there is not a definite normal but there are multiple kinds of normal. Something ever - changing in art and science is their impetus to advance.
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