徐渭的戏曲评点与明代文学思想的新变  

Xu Wei's Drama Commentary and the New Trend of Literary Thoughts in Ming Dynasty

作　　者：吴冠文[1] 

机构地区：[1]复旦大学古籍整理研究所,上海200433

出　　处：《学术月刊》2012年第10期117-125,共9页Academic Monthly

摘　　要：中国古代戏曲创作早在元代即已繁盛,戏曲批评则起步较晚。综观文学思想和文学批评发展史,戏曲批评滞后于创作这一局面的改观得益于明代李开先、徐渭、王世贞、李贽等人对戏曲价值的重新认识,是明代文学新变思想的产物。作为明代中期之后文学新变思想的代表人物之一,徐渭对文学真性情的大力提倡,不但体现在他比较系统的戏曲论著中,也具体而微地体现在他的戏曲评点中。考察徐渭现存的各种戏曲评点文本,尤其是保存在王骥德《新校注古本西厢记》中的《西厢记》评点文字,可以看出,徐渭对戏曲中突出真性情之处的欣赏,对相关表现形式、表达效果的评点,以及对戏曲叙事性因素的批评,不但奠定了他在中国古代戏曲评点史上的开拓者地位,而且在很大程度上引领了其后中国古代戏曲评点和戏曲创作的发展方向。Xu Wei, as one of the representative figures of the new literary thoughts in the middle Ming Dynasty, strongly advocated genuine nature in his systematic drama works and his drama commentary. Based on extensive literature reviews on Xu Wei＇s drama commentary, we may notice that he played a significant role for his drama commentary in the context of the new trend of literary thoughts in the Ming dynasty. His drama commentary not only marked the beginning of ancient Chinese drama commentary, but also laid a foundation for the Chinese ancient drama commentary and drama writing thereafter.

关 键 词：徐渭 戏曲评点 真性情 文学思想 

分 类 号：I206.5[文学—中国文学]