试论明末清初遗民钱澄之记体散文的创作特点  

The Creative Characteristics of Qian Chengzhi’s Proses in the Late Ming and Early Qing Dynasty

作　　者：张瑞杰[1] 

机构地区：[1]忻州师范学院基础部,山西忻州034000

出　　处：《常熟理工学院学报》2012年第7期78-81,共4页Journal of Changshu Institute of Technology

摘　　要：明末清初遗民钱澄之的记体散文数量虽然不多,但在艺术上却取得了较高的成就。其记体散文主要包括山水游记、亭台堂阁记、人物论赞以及墓表等,是中蕴含着浓郁的归隐之思;其散文延续晚明小品的写法,语言清新雅洁、精炼传神;在情感真挚、平和冲淡的文风中又寓有些许幻灭的悲凉,形成了钱澄之记体散文独特的个性。There are only a few description essays in Qian Chengzhi＇ s works, but all of them have made a high achievement judging by their art. Qian is one of the adherents of the late Ming and early Qing dynasty. The essays mainly concern hermitage between the lines, such as the landscape travel, the pavilions description and the character praise. Besides, Qian inherits the essay writing style of the late Ming dynasty, which is clean, elegant, refining and meaningful. Based on these methods, Qian expresses his sadness in his essays, which are his unique characteristics.

关 键 词：钱澄之 记体散文 创作特点 

分 类 号：I207.22[文学—中国文学]