“四大名著”身体叙事的三种形态  

Three Forms of the Body Narrative in the Four Great Classics

作　　者：齐林华[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2012年第4期72-75,共4页Research of Chinese Literature

基　　金：湖南省2011年研究生科研创新项目"明清小说中的身体话语研究"(CX2011B169)的阶段性成果

摘　　要：小说文体是明清文学的典型样式,"四大名著"是中国古典小说的集大成者,对"四大名著"的阐发研究也一直是学界所关注的经典话题。通过对"四大名著"中身体意象与身体想象的叙事话语的分析与研究,可以发现:其一,对女性身体的想象是客体化的、欲望化的;其二,对血性身体的想象是政治化的、市民化的;其三,对神性身体的想象是时间化的、先验化的。The novel writing style is typical in Ming and Qing literature, and the Four Classis is a comprehensive expression of Chinese classical novel. The study on the Four Classis is always the classic topic in the academic circles. Through the analysis and research on the bodily image and the body imagination of the narrative discourse, it may be observed that： firstly, the imagi- nation of the female body is objective and of desire; secondly, the imagination of the bloody body is politicalized and civilized; thirdly, the imagination of the divine body is temporal and of a priori.

关 键 词：四大名著 身体叙事 形态 

分 类 号：I0[文学—文学理论]