“还魂”几多,《牡丹》独秀——明清“还魂型”戏剧比较  

Comparison among Dramas on “Resurrection” in the Ming and Qing Dynasties

作　　者：徐宏图[1,2] 

机构地区：[1]浙江艺术职业学院 [2]浙江省非物质文化遗产专家委员会

出　　处：《浙江艺术职业学院学报》2012年第2期18-23,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：明清两代,以"还魂"为主要情节,取名《还魂记》的同类型剧作不少,虽各有千秋,却均不出汤显祖《牡丹亭》其右。无论从思想之深刻、曲文之典雅、人物之塑造加以比较,《牡丹亭》均高出一筹。In the Ming and Qing dynasties,there are plenty of dramas taking ＂resurrection＂ as the main plot and named Notes of Revival.Although each of the dramas has its advantages,none is so good as Tang Xianzu＇s Notes of Peony Pavilion.Compared from the thought,script and characterization,Notes of Peony Pavilion is better than other dramas.

关 键 词：《牡丹亭》 还魂型 明清时期 戏剧比较 

分 类 号：J805[艺术—戏剧戏曲]