音乐·人·语言——《琵琶行》《李凭箜篌引》品析  

Music,Man,and Language: Appreciation of the Song of a Pipa Player and Song of the Royal Konghou Player Li Ping

作　　者：余永林[1] 

机构地区：[1]浙江树人大学基础部,浙江杭州310015

出　　处：《浙江树人大学学报》2012年第5期56-62,共7页Journal of Zhejiang Shuren University

摘　　要：白居易的《琵琶行》和李贺的《李凭箜篌引》两首乐府诗,在器乐演奏的描绘方面取得了杰出的艺术成就。无怪乎清人方扶南称,白香山江上琵琶,李长吉李凭箜篌,皆摹写声音至文。李足以泣鬼,白足以移人。演奏者的高超技巧,通过诗人的表达,传递给今天的读者丰富的听乐感受。文章从音乐空筐、善意的偏离和物我两忘等三个层面来梳理这两首中唐的乐诗。Bai Juyi＇s Song of a Pipa Player,and Li He＇s Song of the Royal Konghou Player Li Ping,are two classical poems of Yuefu songs,made outstanding artistic achievement in instrumental depiction.No wonder Fang Funan,a critic in Qing Dynasty,said,BaiXiangShan＇s Song of a Pipa Player,LiChangJi＇s Song of the Royal Konghou Player Li Ping,are both the best poems in describing the sound.Li＇s poem is magnificent enough to move ghost,while Bai＇s poem is sincere enough to move man.Through the expression of the poet,the player＇s superb performance passes rich feelings of music to today＇s listeners.The paper,from the three aspects of empty basket of music,deviations in goodwill,the subject and the object forgetting each other,analyzes the two poems of music theme from the mid-Tang Dynasty.

关 键 词：音乐 人 语言 

分 类 号：I207.22[文学—中国文学]