电影《大红灯笼高高挂》颂莲悲剧形象刻画手法论析  

On Method of Depicting Tragic Image:Song Lian in Raise the Red Lantern

作　　者：王奎军[1] 陈霞[1] 

机构地区：[1]西南大学,重庆400715

出　　处：《楚雄师范学院学报》2012年第10期17-20,共4页Journal of Chuxiong Normal University

摘　　要：在电影《大红灯笼高高挂》中,导演张艺谋通过对悲剧环境的刻画:无处不在的红灯笼,史前时间和孤独的陈府,悲剧场景的轮回,符号化的男权,从而描绘了颂莲所生活的悲剧的外部客观环境,用环境烘托出颂莲命运的悲剧性。此外,导演还赋予了颂莲悲剧受害者和施害者的双重身份,成功塑造了颂莲这一悲剧典型。In the film Raise the Red Lantern,the director ZHANG Yi-mou depicted tragic atmosphere,external objective environments in which Song Lian lived,to show her destiny tragedy,these environments including red lanterns everywhere,prehistoric time and solitary Chen shi mansion,the cycle of tragic scene,symbolic male supremacy.Moreover,ZHANG Yi-mou gave Song Lian double identities（the victim and perpetrator） and created this typical tragic image successfully.

关 键 词：悲剧环境 受害者 施害者 双重身份 悲剧典型 

分 类 号：I207.351[文学—中国文学]