论六朝诗歌的批评与整理在明代中期的兴盛  

On Flourishing Criticism and Collation of Six Dynasties' Poetry in the Middle Ming Dynasty

作　　者：吴冠文[1] 

机构地区：[1]复旦大学古籍研究所,上海200433

出　　处：《上海大学学报（社会科学版）》2012年第6期51-60,共10页Journal of Shanghai University(Social Sciences Edition)

基　　金：教育部古委会资助项目(教古字[2007]024号)

摘　　要：六朝诗歌在中国诗歌批评史上的大多数时期被视为另类,相应于较低评价的是作品散佚严重。这种状况在明代中期有了很大改观,出现了肯定性批评和创作上的群众性效仿,嘉靖前后还兴起了编纂六朝诗歌总集的热潮。考察这些新动向并推原其因由,不仅可以呈现文学在明代前期消沉后的复兴,也能为明代中期与经济、思想的演进同步的文学发展提供具体的认知参照。Six Dynasties＇poems used to be regarded as alien throughout the history of China＇s poetry criticism; more unfortunately, many of them were scattered and lost. But such a situation was considerably improved in the middle Ming dynasty. With booming imitation and positive criticism of these poems, a vigorous trend of collecting and collating Six Dynasties＇Poetry appeared around Jiajing years. Probing into the underlying reasons for such phenomena, the paper not only describes the renaissance of Six Dynasties＇Poetry after long - time depression in the early Ming dynasty but promotes the understanding of literature and culture in the middle Ming dynasty that evolved along with politics, economy and ideology.

关 键 词：六朝诗歌 批评 整理 明代中期 

分 类 号：I209[文学—中国文学]